Tampilkan postingan dengan label winter. Tampilkan semua postingan
Tampilkan postingan dengan label winter. Tampilkan semua postingan

Jumat, 29 April 2016

furniture from reclaimed lumber

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weve been making furniture from reclaimed lumber for many years now.  i am in the process of collecting the photos of this furniture in one place and have created this slideshow where you can see some of them.
here are just a few of my favorites ...
the bridges bench   .. made for the 2010 bennington museum show state of craft: fifty years of crafts in vermont.  the theme of the show was continuity and this piece involved 4 members of our family.
one of our early chestnut projects ... it was a project for a friend, and it involved this table, 
a gateleg pull up extension table, and 8 chairs
i put my feet up on this one every day.  it was an early collaboration involving me and kit, and our metal working son sam
part of our series empire deluxe ... reclaimed chestnut and vermont marble
and who doesnt love a nice post and beam custom pool table
and about 50 more photos and blog links here


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Kamis, 31 Maret 2016

Medieval furniture from Koln

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Some weeks ago, I showed the photos of the minnekastchen from the Museum fur angewandte Kunst made during our visit in Cologne, Germany. This post (and one of the next posts) I will continue with the other medieval furniture on display in this museum. Note that not all their furniture is on display, the complete collection can be found in the museum catalogue "Mobel - Gotik bis Jugendstil. Die Sammlung im Museum fur Angewandte Kunst Koln. Band XIV" by Edla Colsman. I will follow the list in the catalogue, adding additional information from it to my photos.

This is a small chest compared to the others on display and measures 41 x 94 x 53 cm. It is made from walnut, the sides are connected with beautiful small dovetails. The chest originates from Italy and dates from the early 15th century. 


The chest has no feet and stands on a small plinth. Remarkable is that the iron fittings - lock, hinges and handles are countersunk, so they are at the same level as the wooden boards of the chest. The fittings are open ironwork and red velvet can be seen behind it, providing a colourful contrast. The inside of the lid of the chest is covered with an intarsia pattern made of apple, oak and ivory dots. The outside of the chest is very rough, however it is likely that an intarsia pattern also was present here. The sides of the lid are are carved as animal heads. The chest has been used to store money and documents. 


 The intarsia pattern on the inside of the lid, and the open ironwork of the hinges showing red velvet behind.

 The top of the boards are also decorated with intarsia and reinforced at the sides with open ironwork.

 The iron fittings and the lock at the front of the chest.

 
The handle at the side.

This sedia Dantesca dates from the 15th century ard originates from Spain where it  is called sillon de cadera. The chair is made form walnut with intarsia from ivory, ebony, and pearl-shell.  The seating is made from leather, however not original, and nailed to the chair. The chair measures 71 x 69 x 50 cm.

 The back of the chair. Only the front and top of the chair have intarsia.

 The front of the chair showing the beautiful geometric intarsia.

 The two x-posts are connected to each other by bottom rail and armrest only.

Detail of the chair showing the armrest. A small part of the intarsia is missing, which gives us a good impression of the construction and thickness of the intasia.

This sedia Savoranola dates from the mid 15th century and originates from Switzerland. It is made of three types of wood; the posts are walnut, the feet rails are oak and the back is apple. All the parts of the seating and the x are connected with a wooden rod. The chair measures 84 x 68 52 cm, the seating height is 50 cm.

 The armrests are decorated with human heads (man and woman) and a crude pattern of punched dots.

 The backrest is secured by a pin. To fold the chair, the backrest needs to be removed.

This is a small so-called Frontalstollentruhe, or hutch type chest dating from the second half of the 16th century. This type of chest can be found throughout the middle ages, but the panelled lid of this chest gives it a later date. The chest is made from pine and originates from Switzerland. Sizes are 75 x 95 x 54 cm.

 
Typical chip carving patterns on the front of the chest.
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A hanging cupboard, which is typical for the West-Rhine area. It originates from Koln and dates from the last quarter of the 15th century.  It is made from oak and measures 73 x 54 x 16.5 cm. According to the catalogue the function of this cupboard is a bit of a mystery. Normally, openwork hanging cupboards are used for storing food products (as the aumbry), but this piece is too heavily decorated for kitchen purpose.The museum has a second hanging cupboard, of which can be found in the catalogue.


 
The door of the hanging cupboard is in the middle, inside the cupboard is divided by two shelves. 
The cupboard contains traces of red paint, and was likely completely painted.

This lectern with Gothic openwork decoration dates from the end of the 15th century and originated form the Rhine area. It is made of oak and its dimensions are 28 x 45 x 24 cm. The boards of the lectern are connected with wooden dowels which are clearly visible.
 
 
 A photo showing that the sides of the lectern are set deeper than the edges.

This photo nicely shows how the board holding the book is fitted between the other boards.

 This clasped front, or hutch-type chest dates from the start of the 15th century and was made around Osnabruck in Westphalen, Germany.  It is made of oak with iron lock and hinges, part of which is missing. The sizes of the chest are 66 x 149 x 55 cm. This photo shows that the sideboards are placed skewed in a groove in the legs of the chest.

 The front of the chest is decorated with Gothic windows ending in stylised leafwork. On the feet of the chest are carved people. On the left a long-bearded man with a sword and book, likely apostle Paul; on the right a praying man on his knees having a short beard.The motifs used for decoration suggest that the chest was used  for personal storage in cloister.

Inside the chest a small lidded side-chest can be found, as usual with medieval chests.

This iron-bound hutch-type chest dates from around 1500 and originates from Westphalen. It is made from oak. The chest measures 96 x 208 x 73 cm. Only the lower parts of the feet are decorated with chip-carving. A photo also showing the lid of the chest from above is found with presentation of the savoranola chair above.

The ends of the iron bands are stylised leaves. 
The bands are crosswise to the grain of the wood, also at the bottom of the chest.

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Jumat, 18 Maret 2016

Winter is coming

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said Lord Stark of Winterfell  ...                                       (A song of ice and fire - George R.R. Martin).
Well, the Saint Thomasguild is prepared for winter with these three-fingered sheepskin mittens.

 A pair of split sheepskin mittens ready for a cold winter.


The three fingered mittens or split mittens are used in medieval times by workmen, farmers and falconers. They offer more flexibility in handling things and have better grip than normal mittens. Also, they are less expensive and easier to make than five-fingered gloves. 

We thank our mittens to the wool moths which infested our sheepskin. After we got rid of the evil insects, flocks of hair fell out of one of our skins and it became useless for display. However, it could still be used to make some mittens. We based our mittens on the pattern provided by Sarah Thursfield in her book "Medieval tailors assistant". First we tried the pattern on a piece of woollen cloth to find the exact place for the thumb, then enlarged it a little to allow for the thickness of the sheepskin. The wool of the skin was cut short, leaving 5-6 mm long hairs on the skin. Sewing the leather was done by hand using the oversewing stitch and found to be very easy. One piece of advice: Dont forget to turn the pattern for the other hand, otherwise you end up with one spare mitten like us ...


Left: Shepherds from Nativity by Nikolaus Stürhofer, c. 1505-1515.
Right: Shepherds in The Nativity by Robert Campin, around 1419. Dijon, France, Musee des Beaux Arts.

                   
                                                                                                    
Left: Farmer wearing a split mitten in the Macclesfield Psalter (Fitzwilliam 1-2005, fol. 77r), c. 1330.
Right: The falconers is wearing a split mitten on which the falcon sits. The Month of January, Grimani Breviary, 1490-1510, Biblioteca Nazionale Marciana, Venice, Italy. These images were found on internet using the site of Larsdatter.




 The left image shows the thickness of the sheep leather and wool. The middle photo shows the oversewing stitch used for the mitten. The photo on the right shows one finished thumb piece and the woollen test mitten..



 The finished three-fingered mittens shown at different angles. Left photo, both mittens at the inside of the hand. Middle photo, one mitten on the outside on on top. Right photo, both mittens on top, showing how the thumbs are set in the mitten and the extra strip for the split fingers..


 
Cape and mittens are ready for winter. 
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Senin, 14 Maret 2016

sunny winter light

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friday morning was clear and sunny and the winter light was beautiful .. 
love the way it rakes horizontally across the house.
click the photos to enlarge them
makes the cherry glow



turkeys love it too

and the frost on the windshield was excellent

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