Tampilkan postingan dengan label saint. Tampilkan semua postingan
Tampilkan postingan dengan label saint. Tampilkan semua postingan

Selasa, 10 Mei 2016

A Saint Nicolas gift the book Vivre au Moyen Age

,
I have got a nice book as a Saint Nicolas gift called "Vivre au Moyen Age - Archeologie du quotidien en Normandie, XIIe-XVe siecles" (ISBN 88-7439-00-9). This book contains some essays on medieval life in Normandy, France, as well as the illustrated catalogue of the exposition held in several museums in Normandy in 2002-2003. 

The amount of furniture shown inside is limited, but there are some beautiful excavated woodworking tools inside, including several clawhammers from the 14th century.  

Forging hammer, length 18 cm, width 4 cm.  Iron hammer without claw, length 10.3 cm, width 2.9 cm. Iron claw hammers, length 9.2 cm, width 3.2 cm and length 7.5 cm, width 1.4 cm, all from the Musee de Normandie Caen, France.

Claw hammer, length 11.7 cm, width 2.7 cm, and scissors (10 cm long)  from the Musee de Normandie, Caen, France.

Next to these tools, there are many artefacts shown of daily life. I found it interesting to see that 14th century pottery in France is different from that found in the Netherlands, where more Siegburg type stoneware is found. In Normandy, more earthenware is found which is decorated with typical floral designs and green or yellow-brown glazed.  

14th century drinking vessels and a jug found in Rouen, decorated with flowers and dots, and beige-yellowbrown glazed. 
Musee des Antiquites, Rouen, France.

The book also shown some jewellery dating from the 13th-15th century. The bronze rings shown in the background used to be bling-bling, but being buried in the ground for many centuries changes its former gold-like colour to a nice greenish patina. Stones are coloured glass. The three other rings are silver and gilded silver with an amethyst. Average size of the rings is 2-2.2 cm.

Nine finger rings in bronze, silver and gilded silver dating from the 13th-15th century. 
Musee de Normandie, Caen, France.


Read more

Selasa, 03 Mei 2016

Images of Saint Thomas

,
Kloster Wienhausen (Germany) has a special relation with Saint Thomas, so it is not strange that there are many medieval images of the saint in the convent. Not only the tapestry, but also devotional images on paper, carved statues, etc. Also its neighbour convent Isenhagen did have several portraits of Saint Thomas. Below is a selection of them.

The first scene on the Thomas tapestry with doubting Thomas touching the side wound of the resurrected Christ. 
Scanned image from photo in the book Kloster Wienhausen by Horst Appuhn.

 

The same scene on the inside of the lid of the Holy Sepulchre shrine. The shrine (see below) and the paintings date from the first half of the 15th century, the figure of Christ around 1290. B/W image from photo in the book Kloster Wienhausen by Horst Appuhn; colour image from Drei gefasste Holzsculpturen vom ende des 13. Jahrhunderts in Kloster Wienhausen by B. Hartwieg. Zeitschrift fur Kunsttechnologie und Konservierung, 1988.
 
  
Part of the fresco in the nuns choir of Kloster Wienhausen with Saint Thomas dated around 1335. 
Image from Deutsche inschriften online.

Again the doubting Saint Thomas, on a coloured woodblock print on paper dating from 1440-1450. Such devotional papers with religious images were kept in the prayer books. This paper was found under the choir stalls of the nuns choir in Kloster Wienhausen. Photo scanned from the booklet Der Fund vom Nonnenchor. Kloster Wienhausen band IV by Horst Appuhn.

St. Thomas sculpture in the nuns choir in Kloster Wienhausen with bible and chalice. The image is similar to the last scene on the Thomas tapestry, where the (resurrected) Saint visits the believers during Eastern. The wounds of his death can be seen on his breast and back. 60 cm high. B/W image from photo in the book Kloster Wienhausen by Horst Appuhn.


Saint Thomas in the Maria altar dating from 1515 in the nuns choir in Kloster Isenhagen. The 3.17 m high altar is likely made in (nearby) Braunschweig. Saint Thomas measures approximately 70 cm.
The Saint does not hold any of the known items associated with him, such as the square or the spear.

Saint Thomas at the top of on of the choir stalls in the nuns choir in Kloster Isenhagen. These plates with images of saints and scens from the bible are in fact doors of small mural cabons. They were made around 1610 by a carpenter from Hankensbüttel (the village of the convent) and the painter Hans Gödeke from Walsrode.
Read more

Jumat, 22 April 2016

The bones of Saint Thomas

,
I was curious if there were some relics of our guild patron saint Thomas spread over Europe (or India). The answer is yes - and, surprisingly, there is an almost complete skeleton of him! The story is that after Saint Thomas was slain, he was initially buried in India. In the 3rd century, however, his bones were transported to Edessa in Mesopotamia (the place from the feast with the hand of the cupbearer) by the Indian King Mazdai (Misdeus), where a tomb was build for him. In 13th century the bones were rescued together with the tombstone to Italy, as the shrine with the bones was threatened by the Turks. The relics made an intermediate stop at the island of Chios in the Aegean. From there they were stolen by Leone Acciaiuoli, captain of a ship from the fleet of Manfred, prince of Taranto, and taken to Ortona in Italy were they arrived on 6 September 1258. In Ortona, the relics were kept in the basilica San Thomasso Apostolo, which was desecrated by the Turks in 1566. After this event the remains were kept in an gild copper urn that was made in 1612 by Tommaso Alessandrini from Ortona.

From the 17th century to today, the shrine has been opened several times to do some surveys (which bones are there) and even some research. Between 1983-1986, the shrine was opened for a protection and preservation project. The opportunity was also taken to do some scientific research on the bones of the apostle. This was done under supervision of prof. dr. Arnaldo Capelli, prof. dr. Sergio Sensi, prof. dr. Luigi Capasso (paleopathology) and prof. dr. Fulvio Della Loggia, all from the Faculty of medicine from the University of Chieti. The anthropological examination on the remains of the skeleton established that the bones belonged to a relatively long male individual with delicate bone structure, with a height of 1 metre 60 cm plus/minus 10 cm. At the age of death the individual was between 50 and 70 years old, with a fracture of the right cheekbone caused by a sharp blow shortly before or after death. The person did also suffer from rheumatism or artritis, which could be seen at the small joints of the hands. Furthermore, a small osteoma (bone tumour) was found in the frontal region of the skull.

  
 The gild copper urn holding the most of the remains of Apostle Thomas.

As can be seen from the photo of the skeleton, several bones are missing, especially the bones of the arm. In 1953, a wrist bone of the right arm was extracted from the Ortona skeleton and given to the Indian church. It now resides at the Marthoma Pontifical Shrine in Koddungalloor in Kerala, India, one of the places where Thomas supposedly has built a church.


The shrine with the right wrist bone of Apostle Thomas in Koddungalloor. 

Another bone from the arm of Thomas is found in a relic in the church of Saint Nicholas in Bari, Italy. The Cronicon Bari mentions that a French bishop, cousin of Baldwin of Le Bourg, Lord of Edessa, returning in 1102 from the Holy Land and from Edessa, left the relic of St. Thomas the Apostle in the Basilica in Bari, The reliquary itself is dated to 1602-1618 and has the form of a right arm holding a spear in the iconography of the martyrdom suffered by the Apostle, and rests on a base containing a relic of the Magdalene. The bone of Thomas can be seen through a window of the reliquary. In 2009, the bone was measured and compared to the bones in Ortona. The upper arm bone has a length of 23 cm; this can be used to calculate the full body length, resulting in a length of 163.4 cm plus/minus 2 cm, more or less the same as the skeleton in Ortona. The left upper arm of Bari is missing in Ortona, so this bone could be from the same person. 

Imm1
The reliquary S. Tommaso Apostolo in Bari. The central window shows a rectangular bone set.

Imm2
On the long sides that surround the window, some words are carved: on the left side from bottom to top "Brachii SANCTI THOMAE Apostles" and on the right side in descending order "ECCLESIAE SANCTI NICOLAI BARENSIS".


Surprisingly, another arm bone of Thomas is found in Maastricht, the Netherlands, in the treasury of the Basilica of  St. Servaes. Curiously, the treasury text mentions this as the right arm bone of St. Catherine, but the text that can be seen through the window of the reliquary clearly state: St. Thomas Apollona (Apostle). Perhaps this is the missing right upper arm bone from the Ortona skeleton.




The reliquary containing a right arm bone of St. Thomas in Maastricht, the Netherlands.

Also some finger bones are lacking in Ortona. The bone from the index finger of doubting Saint Thomas, which touched the wound of Christ, can be found in the Basilica Santa Croce in Gerusalemme in Rome Italy. Some say that this relic has been in Santa Croce from the time of St. Helen (third century, i.e. the time that the body was moved to Edessa). In the centre of the reliquary, remade after the French revolution,  is an oval case with both sides of crystal in which a holder in the shape of a finger with two openings in the side is placed. Through the openings the finger bone can be clearly seen. Some other finger pieces of Thomas did return from Edessa to India (instead of to Europe). A reliquary with some hand bones is preserved in the St. Thomas Museum in Milapore.

The index finger of St. Thomas in Rome, Italy.


Piece of a hand Bone of St. Thomas in the St. Thomas Museum in Milapore, India.


Finally, a second skull of Saint Thomas exists (really a miracle!) in the Greek orthodox monastery of Saint John the Theologian on the island on Padmos, Greece. It is kept in a large embossed silver goblet with a lid of silver with a very rich Venetian rug. Byzantine Emperor Alexios Kommenos (11th century) had the relic bound with silver strips, both lengthwise and over the top. Where the silver strips crossed, they were adorned with precious stones. After it was completed, it was presented to St. Christodoulos, the founder of the monastery.

The second skull of Thomas Apostle in an orthodox monastery on the island Padmos in Greece. 

Other Thomas artefacts


Some other artefacts related to St. Thomas are his tombstone, which made the same trip from Edessa to Ortona as the skeleton, and also resides in the Basilica San Thomasso Apostolo. The tombstone measures 137 by 48 cm and has a thickness of 48 cm and is made of chalcedone. This tombstone is actually a plaque used to cover a tomb made of lower quality material, a practise used in early Christian times. The plaque has an inscription and a bas-relief that similar to those in the Syrian Mesopotamian area (i.e. where Edessa is situated). The inscriptions are in Greek unicals and are dated from the 3rd to 5th century and mention thomas osios (holy Thomas or Saint Thomas). More careful study of the inscription found some traced signs over the words, which would change the meaning slightly to that of the real Thomas. The bas-relief depicts a religious figure with a halo in the act of imparting, with the right hand, the blessing (according to the rites of the Eastern Church and indicating the first two letters, in Greek, of the word Christ).  In the left hand he holds an object that could be a sword, which is a clear reference to the martyrdom of Saint Thomas. The lower part of the stone has two holes of different sizes, such as those found in various tombs of the early centuries of Christianity,  in order to introduce balms or make libations on the grave of the deceased. When it came to the tomb of a martyr, the broader was also used to provide relics from contact. 

 A close look at the tombstone from Edessa in the Basilica San Thomasso Aposotolo in Ortona. 

The following relic of Saint Thomas is a bit strange; it is said to be the tip of the lance that took the life of the saint. It was recovered from the (original Indian) grave during a Portuguese excavation in the 16th century and is now preserved in the Milapore St. Thomas Museum in India. However, it is also said (see above) that Saint Thomas was slain by a sword, which would mean this reliquary is a hoax. Death by the sword is also depicted on the Thomas Teppich in Wienhausen, Germany and in the windows of Chartres Cathedral in France.


The reliquary with the tip of the lance that took the life of St. Thomas 
in the Milapore St. Thomas Museum.

Modern science


Now imagine what you can do with all these bones using modern 21st century research techniques (not those employed 1983): check his exact age using C14 radiocarbon dating; extract some DNA from the bones or teeth and you would have the complete genome of the doubting Apostle himself. Having the genome, the geographic origin of the skeleton can be deduced (does he come from the Galilee region). As Thomas is sometimes called Dydimus (the twin - in fact the name Thomas means twin in Aramese), he is therefore by some thought to be the brother of Jesus (for instance in the Book of Thomas the Contender, one of the New Testament apocrypha represented in the Nag Hammadi library, a cache of Gnostic gospels secreted in the Egyptian desert). If one takes this to be true, then you would have the genetic material of Maria and Joseph as well (actually the brother idea might not be that strange: Joseph was a carpenter and likely would pass his knowledge to his siblings. If Thomas was given the woodworking knowledge by Joseph, his voyage to India to build a palace is less far-fetched as it seems). More down-to-earth, simple DNA fingerprinting (a now common forensic technique), would also allow to compare all the scattered arm bones of the saint. Check, for instance, if  the forearm in Bari and the index finger in Rome originate from the same person. 

And you could also use 3-D forensic facial reconstruction techniques to shape the face of Thomas in clay...

Sources used:

Website of the Basilica San Thomasso Apostolo.
The website of Keith Hunt on Doubting Saint Thomas in India
And many other internet sources, including some utterly confusing Indian ramblings on St. Thomas.
Read more

Minggu, 13 Maret 2016

Making a sella curulis starting with the wood

,
I decided to make the sella curulis of pear wood for two reasons. First it is historically correct (the St. Admont folding chair in the MAK in Vienna is also made in pear). Secondly, because pear has a nice pinkish colour. I will not paint the sella curulis; just decorate it with chip carving. Pear is also relatively easy to carve, at least a lot easier than oak.

The quartered pear plank with the markings of the chair stands.


 The drawing model card used to fit the chair stands on the pear plank.

I had acquired a pear plank of around 5 cm thickness. With a bit of puzzling, the four chair stands just fitted the size of the plank. I then cut the plank into two pieces with a scroll-saw to be able to manage the plank later when using the band-saw. Using the band-saw I again halved the plank, so I had 4 pieces. These were planed to exactly 5 cm, after which they were cut more precisely with the band-saw to four chair stands. These were shaved with a spoke shave to smoothen the saw cut.

Two of the four band-sawn chairstands of the sella curulis 

 Two smoothed chair stands ready for the next step.
 
The next step was to drill a hole for the connecting rail in the centre of the X, using a machine drill and a 3 cm forstner bit. As the connecting rail is meant to be invisible from the outside, the outside stands were not drilled through like the stands on the inside.
Then I had to remove half of the thickness of the centre parts by router in order to have the chair parts at the same level. For routing, I made a small jig, which made it easier to manoeuvre the router which was equipped with a guide bush. After routing, the remaining parts missed by the router were removed using a chisel. This allowed the parts of the X to be perfectly fitted.

 The part to be removed is marked by pencil. Note that this chair stand is for the inside of the chair as it is drilled through.

The routing jig is fixed by clamps onto the chair stand.

 Movement of the router is restricted by the jig and the guide bush.

 Two finished parts of the sella curulis, an inside and an outside of an X stand.

 Two parts of one X clearly show the perfect fit of the connection. Side view (top) and front view (below).

 

 
The chair stands give already a rough impression of the final sella curulis. 
Behind the chair, the medieval tool chest Bram is working on.
 
The 4 chair stands of the sella curulis showing the folded situation of the chair.

The making of the sella curulis will be continued in another post with the different side rails that connect the two X-stands.
Read more
 

Blog Woodworking Plans Copyright © 2016 -- Powered by Blogger