The medieval toolchest woodcarving knives

I have been busy with chip-carving a sella curulis lately and this is done with one tool. the (wood) carving knife. We know this tool was used in medieval times (and even up till now) based on the furniture and other wooden utensils that are left from this period. There is not much archeological   evidence or illustrations (e.g. in miniatures) of medieval knives that can be directly correlated to woodcarving. Knives that are found can be used for many reasons and many trades. 

In Novgorod, Russia, however, some medieval knives of the 12th and 13th century could be linked to woodcarving and whittling of carpenters and coopers. They had a curved blade and a down-turned tip lower than the axis of the handle carving. 

 

Woodworking knives from Novgorod: (a) and (b) 13th century, (c) 12th century. (d) drawing of the blades with the axis 

of the handle. Images from Wood use in medieval Novgorod by M. Brisbane and J. Hather.

Our woodcarving knife also has such a curved and downturned blade. The design resembles modern woodcarving knives. The blade of our knife was forged by the German mastersmith David Schütze (Wollschmiede). He is specialised in reconstructions of archaeological finds. The knife was especially hardened and whetted to perfection by him for hard woods like oak. I have added a handle of apple wood to it.

Another use of a knife (or an awl) in medieval woodworking is for marking lines and geometric designs. Many of such marks have been found on wooden objects (furniture, houses, etc.) dating from the middle ages. See the photos below for examples of knife marks on the medieval chests from the Luneburger cloisters (Germany).
 

(above) Knife marks providing guides for carving on chest TR-NR-400 from cloister Wienhausen, dating 1320. (right) Knife marks on the inside of the chest for the groove of the small tray. Photos from the book Die Gotischen Truhen der Luneburger Heidekloster, from K.H. von Stulpnagel.

A third type of knife for (late) medieval woodworking, which was still used in the last century by carpenters is the so-called shoulder knife (it even can be bought today at specialist tool shops). This knife has a very long handle which rests against the shoulder providing a stable hold. This stability feature makes the shoulder knife very useful for the very precise construction of intarsia, like the (intarsia) self portrait of Antonio Barili clearly shows.

Image of Antonio Barili (1453-1516) from Sienna, Italy. The artist carves the letters: HOC EGO ANTONIUS BARILIS OPVS COELO - NON PENICELLO EXCVSSI. AN.DN. MCCCCCII. (This work have I Antonio Barili  made with the carving knife, not with a brush. In the year 1502.). Other tools shown are a gouge, a folding knife and a pencil. The woods used for the intarsia are pear, beech, walnut, maple and palisander. The intarsia sadly has been destroyed during the second world war.

The last knife used by medieval woodworkers discussed here is the spoon-carving or hollowing knife. This knife was exclusively used for carving the hollows of spoons and bowls. Again, they have been found in medieval Novgorod, Russia (11-14th century - along with more than 650 spoons), but also at Arhus and Trelleborg in Denmark (10-13th century).

11th-14th century spoon carving knives from Novgorod. Image from the cd of the book: Wood use in medieval Novgorod.

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Visit at Castle Loevestein

Last weekend, the Saint Thomasguild stayed at Castle Loevestein near Poederooijen in the Netherlands together with the Gelderse Roos. We received a very warm welcome by the caretaker of the castle, which made us feel very much at home. We brought all our medieval replica furniture with us to fill the great hall of the castle. Some pieces of furniture did cause some trouble - my very heavy toolchest for example - when  they had to be lifted up the stairs to the hall. 

 Castle Loevestein in the early morning sun.

 

Opening the door with the key of the castle. I am wearing my new buttoned cloak.

The Gelderse Roos  is ready to defend the castle against tourists that arrive too early... (i.e. before 13:00).

The ladies were busy doing some embroidery or sewing buttonholes for a 14th century dress. We found that sewing while sitting on a stone bench in the wall was much easier to do than in a comfortable chair, due to the better light.

Anne is sitting on the strycsitten next to a savoranola chair. A small triangular stool stands in front

 Heleen Buurman from the Gelderse Roos busy sewing a 14th century dress.

Katinka and her daughter on one of the stone benches.

The men were busy with other important things, such as making merry music and drinking ... 

The dressoir of Loevestein now properly filled with a display of tin plates and glass. 

On either side to Italian early renaissance - like chairs (after a 15th century model) can be seen.

My son discovered that some wine could be found at the dressoir.

 Bram plays some drinking songs on a wooden flute.

 So father so daughter ... In front of her a chest in an 17th century style that has recently been restored by Bram.

 The strycsittens meet merryly in the side chamber of the great hall. 

On the left the strycsitten of loevestein, on the right our strycsitten.

Just the right size! On the right the (open) tool chest of Bram is shown, while at the back an x-chair can be seen.

A small trestle table with a x-chair and a small bench. On the right a part of Marijns tool chest can be seen.

 In the side chamber our two Italian type chairs stand in front of the bed. 

Next to the bed a cradle, a rocking horse and a sedia tenaglia can be seen.

Sitting in front of the fire place on the strycsitten and the savoranola chair, having a rest after a long afternoon talking to visitors. The candles are lit as it has become late. In front, an x-chair an the turned triangular stool are seen.

Bedtime! The candles are blown out ..... which also is the end of this post

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